Interview with Amanda Sage: Painter of Revolution – by Carrie Ann Baade
Amanda Sage talks to Carrie Ann Baade about humanity, painting, the ‘Ana-Suromai’ and the symbolic act of ‘lifting the skirt’. Continue reading
Join Mailing List
Featured Articles
Amanda Sage talks to Carrie Ann Baade about humanity, painting, the ‘Ana-Suromai’ and the symbolic act of ‘lifting the skirt’. Continue reading →
We’re very excited to announce that we will be publishing the first comprehensive art book on Chet Zar which will be released in early 2012. Continue reading →
Chris Peters' paintings try to find the beauty in that uneasy twilight place between life and death, between reality and unreality. The paintings have an unmistakably dark theme, but perhaps with an underlying element of hope. The objects in the paintings draw from the classic symbolism of Vanitas still life and Catholic religious paintings; all refer to the cycle of life, death and the promise of resurrection.
The Germans have a word "unheimlich" which translated is a blur between "uncanny" and "eerie" that might come closest to describing Peters' work.
Chris Peters creates his art in his Los Angeles studio. He trained for three years at the Gage Academy of Art, completing their program that emphasizes academic painting techniques.
Mr. Peters work has been exhibited in numerous galleries devoted Pop Surrealism art movement, including Copro/Nason Gallery in Santa Monica and La Luz de Jesus in Hollywood.
TOP
The beinArt International Surreal Art Collective & beinArt Publishing were founded in 2006 by Jon Beinart. All artists have granted permission to be featured on this website. All art herein is copyrighted and may not be reproduced without the express permission of the respective artists. beinArt.org represents contemporary artists working in one or more of the following art traditions: Pop Surrealism, Lowbrow, Fantastic Realism, Magic Realism, Surrealism, Symbolism, Psychedelic, Visionary, Esoteric, Erotic, Dark & Macabre Art. This website was designed by Leo Plaw.